169 fans | Vote

#904 : 4-D

 

¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤

Erwin Lukesh, un tueur en série qui a pour habitude d' ôter les langues de ses victimes toujours féminines, est surveillé par Doggett et Reyes. Le criminel habite l'appartement 4D... Plus tard, Reyes sera étrangement accusée d'avoir tiré sur l'Agent Doggett et d'avoir mis sa vie en péril...

¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤

Popularité


4.75 - 4 votes

Titre VO
4-D

Titre VF
4-D

Première diffusion
09.12.2001

Première diffusion en France
18.09.2002

Photos promo

John Doggett est hospitalisé dans un état grave

John Doggett est hospitalisé dans un état grave

Erwin Lukesh menace Doggett

Erwin Lukesh menace Doggett

Monica semble bouleversée

Monica semble bouleversée

Brad Follmer et Monica Reyes

Brad Follmer et Monica Reyes

Scully et Follmer

Scully et Follmer

Monica et John se rapprocheraient-ils?

Monica et John se rapprocheraient-ils?

Erwin Lukesh

Erwin Lukesh

Plus de détails

Réalisation:
Tony Wharmby

Scénario:
Chris Carter
Steven Maeda

Guest stars:
Cary Elwes (le directeur adjoint Brad Follmer),

Dylan Haggerty (Erwin Timothy Lukesh),

Angela Paton (Mme Lukesh),

Gil Colon (l'agent Rice), Lo Ming (Dr. Kim)...

Informations classées X :

- Annabeth Gish a déclaré que cet épisode, aux côtés de Audrey Pauley, est l'un de ses favoris dans la saison car tous deux sont "des épisodes indépendants à propos de Doggett et Reyes. De merveilleux challenges d’acteurs et les histoires étaient fantastiques"

904 - 4-D

 

Un homme, plus tard identifié comme Irwin Lukesh, entre dans le lobby d’un immeuble. Monica Reyes travaille sur une bicyclette et elle est sous couverture, l’observant et en communication par une radio cachée avec Doggett et Follmer dans un fourgon à l’extérieur. Doggett dit que Lukesh est un psychopathe qui a coupé les langues de plusieurs femmes. Lukesh considère entrer dans un appartement, mais continue ensuite de marcher dans le hall et entre dans une arrière cage d’escalier. Reyes suit, l’arme à feu au poing et Lukesh lui saute dessus. En comprenant qu’elle est sans communication, Doggett et plusieurs autres agents de FBI prend d’assaut le bâtiment. Doggett trouve Reyes ensanglantée avec sa gorge pleine de sang. Il court après Lukesh et le rattrape dans une allée. Doggett pointe son arme à feu sur Lukesh, mais quand le regard de Doggett s’éloigne pour un instant pour appeler d’autres officiers, Lukesh disparait, reapparaissant derrière Doggett et tenant l’arme à feu de Reyes. Doggett pivote et des coups retentissent.

Reyes est dans son appartement, déballant et s’installant. Doggett vient à la porte portant un cadeau composé de saucisses polonaises venant d’une roulotte voisine qu’il aime beaucoup. Le téléphone sonne et Reyes répond. C’est Skinner, appelant pour lui dire que Doggett a été tué. Elle est confuse, mais Doggett n’est plus dans son appartement. Elle se précipite à l’hôpital. Follmer est responsable de l’enquête. Skinner est toujours sur les lieux du crime. Scully dit que Doggett sort juste de chirurgie, mais peut être paralysé. Reyes dit à plusieurs reprises que Doggett était avec elle mais dans la pièce d’hôpital elle trouve Doggett, inconscient et sur un respirateur. Et Reyes et Scully ont les larmes aux yeux devant l’état de Doggett.

Au laboratoire de balistique du FBI, ils examinent la balle qui a blessé Doggett. Follmer réprimande Skinner car il n’a pas été prévenu plus tot que la douille avait été trouvée. La balle ne venait pas de l’arme de Doggett, mais d’un modèle d’arme qui est employé par le FBI. Follmer ordonne de comparer la douille dans la base de données d’armes du FBI.
Scully et Reyes parlent de ce que Reyes a vu. Scully parle à Reyes de la mort de son père en 1994 quand il lui est apparu à l’heure de sa mort. Reyes appelle cela ”une visitation”, mais dit que ce qui lui est arrivé est différent.
Skinner téléphone et demande à Scully d’emmener Reyes au commissariat de police. Là Follmer lui dit qu’on a tiré sur Doggett avec son arme à feu et ils ont un témoin oculaire qui l’indentifie sur les lieux du crime. Irwin Lukesh est derrière le miroir sans tain, l’identifiant.

Reyes, Skinner et Scully sont de retour dans la chambre d’hôpital de Doggett. Elle n’a pas été arrêtée parce qu’il y a les choses qui ne collent pas pas, comme le fait qu’elle était chez elle, à 14 milles de distance des lieux du crime après que Doggett a été tué et le fait que son arme à feu n’avait pas été tirée. Skinner voit le doigt de Doggett bouger et reconnaît l’alphabet morse. Doggett explique clairement le nom de Lukesh.
Lukesh entre à son immeuble et ouvre la boîte aux lettres 4-D. Il entre dans son appartement et sa mère l’appelle. Il met l’arme à feu de Reyes dans un tiroir. Sa mère est invalide et se plaint qu’il l’a laissée et elle a été effrayée, bien qu’il signale qu’il est retourné exactement quand il a dit qu’il le ferait. Elle demande un sandwich et il dit qu’il lui fera un avec de la viande en conserve, mais il emploie en réalité une langue humaine.

Le FBI a identifié le nom de Lukesh comme Irwin Timothy Lukesh, qui était dans une clinique psychiatrique en 1995, mais a été relaché. Il vit avec sa mère invalide près de là où Doggett a été tué. Reyes pense que Lukesh a tué Doggett. Follmer appelle Reyes, Skinner et Scully à l’hôpital. Ils ont mis en place un dispositif pour Doggett, mais il parlera seulement à Reyes. Il est étonné la voir vivante parce qu’il a vu sa gorge coupée. Il pensait que Lukesh l’avait tuée.
Cette nuit là, Lukesh est dans le lit avec sa mère. Quand il pense qu’elle est endormie, il s’échappe. Dans une allée, il devient invisible.

Un docteur évalue le corps de Doggett pour des réactions, mais il n’y a aucune. Reyes dit à Doggett qu’il y a tant de choses dans cette affaire qui ne peuvent pas être conciliées. Elle a pensé ce qu’il faudrait pour que les deux versions des événements soient vrai, qu’elle soit sur une surveillance avec Doggett et qu’il soit à son appartement. Elle mentionne une théorie d’univers parallèles et spécule que peut-être Lukesh peut voyager dans les deux sens entre deux univers. Et si Doggett a d’une façon ou d’une autre suivi Lukesh, forçant d’une façon ou d’une autre l’autre Doggett à sortir ?
Lukesh est rappelé dans pour un interrogatoire par Skinner, qui lui dit que Doggett a identifié Lukesh comme l’attaquant. Lukesh dit que Doggett est perturbé. Skinner demande à propos de Mme. Lukesh et Lukesh dit qu’elle était endormie au moment du crime et est facilement pertubée. Il dit qu’il ne les laissera pas la harceler et sort de la salle d’interrogation. Lukesh et Reyes se rencontrent dans le hall. Elle lui demande comment il fait, comment il se déplace entre des mondes. A-t-il commencé après son attaque en 1995 ? Il se rapproche près d’elle et chuchote, ”Dieu, je vous a aimé.”
De retour à la maison, Lukesh découvre que l’arme à feu n’est plus dans le tiroir. Sa mère l’a trouvé et le confronte. Le FBI a laissé plusieurs messages demandant à lui parler, et elle est d’accord là dessus. Il efface la bande, sort un rasoir et l’attaque.

Reyes rase doucement Doggett. Il signale qu’il a réfléchit et pense que sa théorie est bonne. Il suggère qu’elle puisse réparer tout ça, si elle ”tire la prise”, il mourra et ”son Doggett” reviendra. Elle se rend compte qu’il ne croit pas sa théorie, mais ne veut pas vivre paralysé. Elle dit qu’elle ferait tout pour lui, sauf ça. Skinner appelle, Marion Lukesh est morte, avec le même M.O. Ils ne savent pas où est Lukesh, mais Reyes pense qu’il les trouvera. Reyes retourne à la maison, portant un émetteur caché et avec son appartement sous surveillance vidéo. Après quelques moments, Lukesh lui saute dessus alors qu’elle est dans un angle mort que la caméra ne peut pas voir. Il ôte son émetteur et met le rasoir sur la gorge. Dans le fourgon, Scully a l’intuition que Lukesh est dans l’appartement. Lukesh dit à Reyes qu’elle a tout ruiné et alors qu’il est sur le point lui trancher la gorge, la porte est fracassé. Follmer entre et tue Lukesh d’une balle dans la tête. Reyes va bien.

Reyes retourne à la chambre d’hôpital de Doggett. Elle ferme la porte et après un serrement de sa main qu’elle éteint la machine d’alerte et éteint le respirateur. Doggett meurt et Reyes se retrouve dans son appartement avec Doggett tenant des saucisses polonaises. Elle l’étreint et Doggett veut savoir ce qui ne va pas. ”Ca va” répond-elle .

4-D

 

SCENE 1

(A man, ERWIN LUKESH, pauses momentarily in front of a mirrored glass door, before entering his apartment building. Once in the foyer, he picks up a newspaper, the DC Weekly, and glances at the front page. We notice REYES, kneeling behind him attending to the rear derailleur of her racing bike. She notices him and looks up.)

CUT TO:

(DOGGETT and FOLLMER are watching the foyer on a monitor screen. We see they are monitoring LUKESH. We see a curved mirror mounted on a wall, the type used to see other people approaching from around a corner. LUKESH looks up at it.)

DOGGETT: He's looking right at us. Fifty bucks says it's Lukesh and he knows we're here. Does it look like him to you?

(LUKESH looks over towards REYES, who has her back to him.)

FOLLMER: Let him get to the mailbox.

DOGGETT: It's Lukesh. I don't need him opening his mailbox to prove it.

FOLLMER: Patience, Agent Doggett.

DOGGETT: We have an agent alone with a sicko who cutting out women's tongues, a guy known for his vanishing act.

FOLLMER: We've got the block surrounded. He isn't vanishing anywhere. And your partner volunteered. Now, open the 4-D.

(FOLLMER picks up his walkie-talkie and contacts REYES, who is still attending to her bike.)

FOLLMER: Agent Reyes, stand by.

(LUKESH, standing in front off a bank of storage lockers, suddenly walks off.)

DOGGETT: What the hell is this?

(REYES puts down her tools and takes out her handgun, following LUKESH.)

DOGGETT: Monica, don't.

FOLLMER: Agent Reyes - keep your distance. Don't let him see you following.

(We see REYES on the monitor briefly, her gun ready, until she slowly moves out of the frame in pursuit of LUKESH.)

(REYES is now following LUKESH around the gloomy corridors of the apartment building. A door closes ahead of her and she investigates. She opens the door and enters.)

DOGGETT: Monica, where are you?

REYES: In a stairwell. I lost sight of him. I think he might be (LUKESH suddenly appears and smacks REYES' gun from her hands. She screams.)

REYES: AGHHH!

(DOGGETT and FOLLMER burst out of the back doors of a white van parked on the side of the street. They are both wearing blue FBI jackets. They run into the apartment block. They race through the lobby towards the stairwell. They enter cautiously and find REYES lying slumped against the stairs, her mouth bloodied.)

FOLLMER: Agent down, back stairwell, get EMS here now!

(REYES is still, her eyes open. FOLLMER is holding her. He shouts to DOGGETT, who is now outside the building.)

FOLLMER: Doggett! He's got her gun!

(DOGGETT is at the side of the building, and spots LUKESH walking away in the distance, slowly.)

DOGGETT: Erwin Lukesh! Federal Agent! Turn around, you son of a bitch.

(LUKESH stops, and turns around slowly to face DOGGETT. His hands are covered in blood. We hear police sirens at the roadside and DOGGETT turns his head briefly to motion them to where LUKESH is. Two cars park at the entrance to the dead-end, blocking it off.)

DOGGETT: Back here!

(His head turned only momentarily, as soon as he turns back around to face LUKESH he finds him gone. The dead end street is entirely empty, LUKESH having nowhere to have hidden. DOGGETT, with his gun aimed in front of him, slowly moves down the street. Suddenly, we see LUKESH appear behind DOGGETT as the camera tracks forward. LUKESH, armed with REYES' gun, is aimed straight at DOGGETT's back. DOGGETT continues to check the street, unaware of LUKESH behind him. Suddenly he stops, and quickly turns around, intent on shooting LUKESH, whom he has now sensed standing behind him. LUKESH manages to get off the first shot.)

[Fade to black]


OPENING CREDITS


SCENE 2

(REYES' new apartment. She is unwrapping an antique looking metal framed mirror from some bubble-wrap material. She looks as though she has only just moved in. DOGGETT appears in the open doorway, knocking on the door to alert her. REYES turns around and sees him. To moves towards the door to welcome him in. He's carrying a parcel in his hand.)

REYES: Hey!

DOGGETT: So, this is how the uptown crowd lives, huh?

REYES: This is it!

DOGGETT: So have you got anything really heavy that I can move for you, a dresser, a fridge.

REYES: No, but thank you, John, you just missed movers.

DOGGETT: You don't say?!

DOGGETT: I brought you a housewarming gift.

(DOGGETT gives her the parcel. She unwraps it straight away. A white bag. She smells inside it.)

REYES: Hot dogs?

DOGGETT: Polish sausage! It's the best in the city, there is a . You'll be able to walk to it.

REYES: Wow.

DOGGETT: Try one.

(She takes a hotdog from the bag and smells it again. DOGGETT is already eating his.)

REYES: Mmmm. I'm back in Gdansk.

(DOGGETT has managed to get some ketchup around his mouth. REYES extends her arm and wipes it from his mouth with her finger. They share "a moment". DOGGETT is frozen. REYES says nothings, and moves away again.)

REYES: Let me get some plates.

DOGGETT: Plates? For crying out loud... who eats Polish sausage with plates?

(REYES' cell phone rings as she is sorting out some plates on the kitchen counter. She answers.)

REYES: (on phone) Hello?

SKINNER: (on phone) Agent Reyes, it's AD Skinner.

REYES: (on phone) Yes, sir?

CUT TO:

(SKINNER is standing in the street from the opening scene, talking to REYES on his cell phone.

SKINNER: There's no easy way to say this, I'm sorry to do it on the phone.

REYES: What is it?

SKINNER: It's Doggett. He's been found in an alley off Dillon Park. He's been shot.

(We see three men lift a gurney from the ground, somebody lying motionless on it.

REYES: (Disbelieving) I'm sorry, what did you say?

SKINNER: They're taking him in the Washington Memorial. Agent?

REYES: Sir, what you're saying is ...

(REYES notices her apartment is empty. DOGGETT is nowhere to be seen. REYES turns her head in disbelief, looking for her partner. SKINNER checks to see if she is still there.)

SKINNER: (on phone) Agent Reyes? Agent Reyes?

CUT TO:

(A lift opens. REYES gets out. We see we are at the hospital. AD BRAD FOLLMER walks up the corridor to meet REYES, who is enquiring with a desk clerk.)

REYES: (To desk clerk) Excuse me?

(FOLLMER walks up to REYES.)

FOLLMER: Monica?

(REYES and FOLLMER slowly walk off down the corridor.)

REYES: Brad? Skinner called you, too?

FOLLMER: He's staying at the crime scene. I'm sorry. I've been put in charge of this investigation. I promise you, it's my top priority. I will find a person who did this. I just need to find out why your partner was in that alley this morning.

REYES: He wasn't. (Smiling, sure of herself.) He was with me, at my apartment. He was with me when Skinner called me.

FOLLMER: (Confused) I'm not sure I'm following.

(REYES starts to look puzzled. She walks off and bumps into SCULLY.)

SCULLY: Monica, I'm so sorry. Agent Doggett is just coming out of surgery and they're moving him to the ICU.

FOLLMER: How's it look?

SCULLY: If he pulls through this, it's likely that he'll be paralysed for life.

REYES: I haven't understood one single word I've heard since I got here. Whoever you're talking about, it's not John Doggett.

 


SCENE 3

(The door of a hospital room opens. We see a medical monitor working away as SCULLY, REYES and FOLLMER enter. REYES looks over the bed, her silence revealing her shock. We see DOGGETT lying on the bed, his neck in a cervical collar to keep it perfectly still. He is unconscious. REYES places her hand over his. She looks very sad. She opens her mouth to say something but can't. FOLLMER and SCULLY, standing behind her, also share her sadness.)

 


SCENE 4
FBI BALLISTICS LAB
WASHINGTON, D.C.

FOLLMER: You have found the bullet?

SKINNER: 9mm slug. Found it in the alley lodged in the wall. Most likely from the Sig Sauer P226 or 228.

FOLLMER: Possibly FBI issue.

SKINNER: I don't know what you're thinking but this didn't come from Doggett's weapon. Ballistics don't match and his gun was never fired.

FOLLMER: Assistant Director. (FOLLMER beckons SKINNER over toward him.) I'd appreciate case updates in a timely fashion. For instance, this bullet... how long have you have it? An hour? Two?

SKINNER: Thereabouts.

FOLLMER: It just we need to keep the lines of communication open, that's all I'm asking. I want this slug run through our database of FBI-issued pistols.

SKINNER: Like I told you the round didn't come from Doggett's weapon. (FOLLMER looks at him) You're not saying another agent could have done this.

FOLLMER: Just run it, please.

 


SCENE 5

(Outside DOGGETT's hospital room. We see REYES' face reflected in the glass. SCULLY walks up and stands next to her. They are both in through the windows at DOGGETT.)

REYES: I just... I don't understand how any of this is possible. He was with me, Dana, in my apartment. How can this be?

SCULLY: I saw something once. It's only been the last couple of years that I've... fully come to terms with it. In '94 my father passed away... and that night... at the very moment that it happened he came to me. I like to believe that he came to say goodbye.

REYES: (Sincerely) A visitation. I think that's wonderful. A blessing. But that's not what happened to me.

(SCULLY's cell phone rings, interrupting them.)

SCULLY: (on phone) Scully.

(SKINNER is driving, talking through a hands-free phone.)

SKINNER: (on phone) It's me, is Reyes with you?

SCULLY: (on phone) Yeah, she's here, we're both at the hospital.

SKINNER: (on phone) I need you to bring her to Sixth District Police Station. I'm on my way there myself.

SCULLY: (on phone) What's this about?

SKINNER: (on phone) I'll tell you when you get there.

(SCULLY looks over at REYES.)

 


SCENE 6
METRO POLICE, SIXTH DISTRICT
WASHINGTON, D.C.

(SCULLY and REYES are walking through the station. They meet up with SKINNER.)

REYES: What's going on?

SKINNER: Agent Reyes, wouldn't you mind stepping inside, please?

(REYES looks at SCULLY before entering the room they are standing in front of. FOLLMER is waiting for her inside.)

FOLLMER: Hi, Monica. Have a seat.

(REYES walks around a table and sits in a chair. The room is illuminated by a harsh light hanging over the table.)

FOLLMER: I wanted you and I to have a chance to talk alone to clear a few things up. A few details of your story.

REYES: My story?

FOLLMER: Well, your so certain that you were with Agent Doggett when he was shot?

(SCULLY is watching and listening in from an adjoining room with SKINNER.)

SCULLY: What is this?

SKINNER: Just wait.

FOLLMER: Is that a true statement?

REYES: Yes. Uh-ah, I mean, no, I wasn't with Agent Doggett when he was shot, but I was with him at the time AD Skinner called to tell me he'd been shot.

FOLLMER: Look, Monica, you know how I feel. You know I'm on your side, but give me something here. Give me some... meaning... reason for what you're trying to cover up.

SCULLY: I'm going to put a stop to this.

REYES: What are you saying to me, Brad? Why are you saying these things?

FOLLMER: The results of the ballistics test. A bullet that hit Doggett came from your gun. (REYES looks shocked. Behind the one-way mirror, SCULLT also looks up in surprise.) And furthermore we have an eyewitness... one who has placed you at the scene.

REYES: Is that why I'm here? In this room? So you can make an ID?

FOLLMER: Agent Reyes ...

(REYES gets up from her chair and paces towards the one-way glass.)

FOLLMER: I'm going to have to ask you for your FBI identification.

REYES: Who's there? Who's back there?

(We see SKINNER and SCULLY behind the glass. We see another police officer, thanking an eyewitness for his help in the identification of REYES.)

POLICE OFFICER: We appreciate your cooperation, sir.

(The camera pans over the eyewitness. We see that it is ERWIN LUKESH.)

LUKESH: Anything I can do to help.

[Fade to black]

 


SCENE 7

(DOGGETT's hospital room. REYES is holding her hands over his again. She looks exhausted and pale. DOGGETT is still unconscious in his neck collar. SCULLY and SKINNER enter the room. We see a suited man outside in the doorway.)

REYES: Smart touch. Posting a guard making sure I don't finish the job.

REYES: Do you really believe I did this?

SKINNER: No, but it doesn't matter what I believe. You may still be arrested.

REYES: So what are they waiting for?

SCULLY: Follmer's case has a couple potential holes.

SCULLY: For starters, there's the fact that when I called you, you were at home. Fourteen miles from the crime scene.

SCULLY: Plus there's the condition of your gun.

REYES: It hadn't been fired.

SCULLY: However, the bullet does match your gun. Perfectly.

REYES: Uh, it doesn't make any sense. None of it. What about the eyewitness? What can you tell me about him?

SKINNER: You know we can't discuss that.

SKINNER: Look...

(DOGGETT's fingers begin to twitch. His eyes open briefly.)

REYES: My God, John.

SKINNER: Is he conscious?

SCULLY: I don't know. It could just be a muscle spasm. It's not uncommon with this type of spinal injury.

(DOGGETT's fingers continue to twitch, but with regularity that SKINNER immediately notices.)

SKINNER: That's not a spasm. That's Morse code.

REYES: What'd he say?

SCULLY: (reading) Lukesh.

REYES: What? What does that mean?

(REYES notices this has changed SCULLY's demeanour. She wants answers.)

 


SCENE 8

(The apartment building lobby. Locker 4-D is being unlocked. We see LUKESH take out a handful of letters and junkmail.)

CUT TO:

(LUKESH enters an apartment. He puts the mail down on a table in the hallway just inside the door. A woman's voice calls out. She has a particularly whining voice.)

MOTHER: Who's there? Is somebody there? Erwin, is that you?

LUKESH: Who else would it be, Mama?

MOTHER: I thought maybe robbers ... My God, I thought something terrible had happened to you. You were gone so long.

LUKESH: I was gone 2 hours and 6 minutes (checking his watch) and back at noon, just like I told you.

MOTHER: I was so scared. Could you bring me a glass of that clemado with two squirts of Texas Tea and two icecubes. God I was all alone. And I heard the knob rattle. Somebody was rattling the knob. (LUKESH opens a drawer, revealing a handgun. He picks it up, holds it, spins it around his trigger finger, and then places it back in the drawer.) It was the robbers. I just know it was. I don't know how I got through it. I was so scared.

(LUKESH picks up the drink and takes it through to the lounge. The TV is on. We see LUKESH's MOTHER, laying in a bed facing the TV. "Days of our lives" is on.)

MOTHER: That show is on. Could you make me my hot sandwich so that I could eat my sandwich while I watch my show?

(LUKESH goes to the kitchen and opens the refrigerator.)

MOTHER: What kind of sandwich is it?

LUKESH: Potted meat.

MOTHER: I don't think I like that. Have I had it before?

LUKESH: Many times.

(LUKESH holds up a clear plastic bag containing a severed human tongue. It looks quite fresh.)

LUKESH: (Transfixed by the tongue) You love it.

 


SCENE 9

(REYES tosses a roll into the bin. She looks as though she doesn't want to be there.)

REYES: We should be at the hospital.

(We see SKINNER is with her. They are in her new apartment.)

SKINNER: Scully will call if he regains consciousness.

REYES: Yeah, I should be there...

SKINNER: Agent, you're still under investigation. Not to mention I will be too if anyone finds out that I show you this.

(He holds a brown file out to REYES, looking away as he does so. REYES sits down and reads through the file.)

REYES: Erwin Timothy Lukesh?

SKINNER: Have you even seen him before?

REYES: (Reading from the file) 1995. Patient at the State Psychiatric Hospital at Gaitersburg. Diagnosed with a delusional disorder anger sub-type that presented itself shortly after the suicide death of his father.

SKINNER: After four months, he was deemed fit for release. He lives with his invalid mother in an apartment adjacent to the crime scene.

REYES: What's the story he's telling?

SKINNER: That he heard a bang, went downstairs to investigate, and that he saw you exit the alley.

REYES: This is the one person we know was in the vicinity at the time of shooting. Why would Doggett say his name?

SKINNER: You think Lukesh shot Doggett?

REYES: What if... Doggett was investigating Lukesh. What if... Lukesh is somehow behind all this ...

(SKINNER's cell phone rings.)

SKINNER: (on phone) Skinner.

(AD FOLLMER is standing in a hospital corridor.)

FOLLMER: (on phone) It's Follmer. You remember the discussion we had yesterday when I asked you to keep me up to date?

SKINNER: (on phone) I do ...

FOLLMER: (on phone) I'm at Washington Memorial. I'm assuming you're with our prime suspect? Bring her. She's going to talk to Agent Doggett.

 


SCENE 10

(The hospital. The lift doors open and REYES and SKINNER step out. AD FOLLMER is waiting for them, and SCULLY appears from another corridor.)

FOLLMER: Ah, the gang's all here.

REYES: How is he?

(They head off towards DOGGETT's room.)

SCULLY: Fully conscious. We set up a communication device designed for spinal injuries ............

FOLLMER: Just so we're clear, we ask only the questions I want asked. You're not to try and shade his testimony in any way.

SKINNER: If you're so concerned, why let Reyes talk to him in the first place?

FOLLMER: Because he says he won't talk to anyone but you.

(They arrive at the room. REYES enters. FOLLMER stops outside with SKINNER and SCULLY.)

FOLLMER: He didn't mention you two.

CUT TO:

(DOGGETT's bedside. There is a monitor at the end of the bed. REYES enters and walks over towards DOGGETT. She gently strokes his face with the back of her hand

REYES: John. Hey there.

(We see one of DOGGETT's fingers is attached to a morse button, which is connected to a laptop. It interprets his finger presses and display the letters on the screen. His fingers twitch and the screen is updated.)

DOGGETT: (On monitor screen) ALIVE>.

REYES: That's right. You're alive. As if there were ever any doubt.

DOGGETT: (On monitor screen) NO YOU HOW OK>.

REYES: Why I'm alive? Is that what you're asking? I'm fine, John. Why wouldn't I be?

FOLLMER: Have him say who shot him.

DOGGETT: (taps) YOU... (REYES looks at DOGGETT, shocked. There's a long pause before DOGGETT continues) YOUR THROAT CUT.

REYES: My throat wasn't cut, John, what do you mean?

DOGGETT: (taps) LUKESH KILLED YOU. TRIED KILL ME.

(REYES and FOLLMER look at DOGGETT. His eyes open slightly.)

 


SCENE 11

(Night. LUKESH is lying on his mother's bed. He checks to see that she is asleep. LUKESH carefully gets off the bed to try and leave without waking her. As he leaves the room, her eyes open.)

CUT TO:

(Night. LUKESH is in the alleyway where DOGGETT was shot. He is holding a cut-throat razor in his hand. He walks down the alley towards the dead-end. Suddenly, he completely disappears into thin air. The alley is empty.)

 


SCENE 12

(Day. DOGGETT's room. A DOCTOR is probing DOGGETT's chest for sensation with a long needle.)

DOCTOR: We're going to see if you feel anything. Any sensation at all. (The DOCTOR carefully presses the needle against his skin around his chest.) Okay, that's enough for today. We'll see if you can feel any better tomorrow.

(DOGGETT taps away on his morse button.)

DOGGETT: (On screen) 1ST TIME EVER HOPED FOR A LITTLE PRICK>

(REYES can't help but smile.)

REYES: You kiss your mother with that mouth?

(DOGGETT's eyes are open and he looks up at REYES.)

DOGGETT: (On screen) HOWS CASE?

REYES: It's coming along. (He eyes her) It's nowhere, basically. There's so much that's impossible to reconcile. You say I was on the stakeout with you, I say you were at my apartment bringing me...

(REYES pauses, an idea forming in her mind.)

REYES: John, do you know a little stand on M Street? Supposed to be really good hot dogs?

DOGGETT: (On screen) POLISH SAUSAGE. BEST IN CITY>

REYES: John, what if we were both right? What if you were at my apartment, and I was on a stakeout with you at the exact same time. W-what would it take for that to be true?

DOGGETT: (On screen) WE BOTH HAD TWINS WHICH WE DONT>

REYES: Except maybe we do. Maybe all of us do. You've heard of the idea of a parallel universe? One that's identical, or nearly identical, to our own. One in which we all have a double. It's theoretical physics but... what if it's real?

DOGGETT: (On screen) TOO MUCH STAR TREK>

REYES: You said yourself Erwin Lukesh was known for his impossible escapes. You said that in the alley you looked away only for an instant and he was gone. (DOGGETT's mind goes back to the alley just before he was shot.) And then, somehow, he was behind you. And he shot you. With my gun. My gun, that never left my possession that entire afternoon. What if Lukesh can pass freely from one parallel world to the other? Like... like he's opening a door. And what if somehow you followed him through that door. (We see DOGGETT in the alleyway, disappearing into thin air.) Without even knowing it. Maybe when you followed Lukesh into this world, my - my Doggett got forced out.

DOGGETT: (On screen) WOW>

REYES: My Doggett would have called that crazy, too... but give me another theory that fits.

 


SCENE 13

(Police Station interview room. SKINNER and FOLLMER are talking to LUKESH.)

LUKESH: I'm kind of confused as to why I'm back. I already told you everything I know.

FOLLMER: We just had a few... inconsistencies that we need to clear up.

LUKESH: Sure. Dot the I's, cross the T's

SKINNER: Yeah, here's an odd one, for starters. We have an eyewitness that says you shot Agent John Doggett.

LUKESH: (Surprised) That's surprising I can't imagine who would have said that.

SKINNER: Agent Doggett. Yeah, he's regained consciousness. He's very chatty. Among other things, he says that you're a murderer, that you enjoy killing women with a straight razor. And cutting out their tongues.

LUKESH: Yeah. Wow. (Laughs) What a corker.

FOLLMER: Mr. Lukesh, would you consent to a GSR test?

LUKESH: GSR? What is that?

FOLLMER: It can reveal whether or not someone recently fired a gun. You wouldn't mind indulging us, would you?

LUKESH: I don't know. I think I ought to talk to my lawyer about that. Look, my heart goes out to your Agent Doggett. But he's confused. It's clear to me that your female agent, Miss Reyes, is responsible for this terrible tragedy.

FOLLMER: Is there someone who can corroborate your story?

LUKESH: (Smiling) No.

SKINNER: How about your mother? I mean, you live with your mother right?

LUKESH: She was sleeping, she wouldn't have heard anything.

SKINNER: Well, still, maybe she can tell us something. Would she be willing to come down here and talk to us?

LUKESH: My mother is in poor health. She gets confused easily.

SKINNER: Oh, we can go to her

LUKESH: I won't have you harassing her just because you're afraid to admit that one of your people did this! (Threatening SKINNER and FOLLMER) If you're going to arrest me, do it. Otherwise, I'm going home.

SKINNER: (As LUKESH leaves) Say hi to mama.

(LUKESH leaves. We see REYES walking through the police station. She bumps into LUKESH. He stops and walks back up to her.)

LUKESH: Agent Reyes, right? What's the matter? Cat got your tongue?

REYES: How do you do it? You know what I'm talking about, don't you? There's this world, and there's the world where you live out your sick fantasies. When did it start? After your breakdown in 1995? All that anger, it's buttoned up so tight, it had nowhere else to go. It had to get released. Not here. But in a world just like this one.

LUKESH: (He leans forwards so that his face is only inches from her. He inhales, smelling her.) God, I enjoyed it. You bled just like a pig. (He walks away.)

(REYES looks shocked. SKINNER exits the interview room behind her.)

SKINNER: Reyes?

(LUKESH turns around once more before leaving to look back towards REYES. FOLLMER joins SKINNER in the hallway.)

FOLLMER: You all right?

 


SCENE 14

(LUKESH's apartment. He takes a drink from the refrigerator. He holds it to his forehead.)

LUKESH: Mama, I'm home. (No reply) Mama, you want your clemato?

(He walks over to the drawer where he's hiding REYES' gun. He opens the drawer to find it gone.)

LUKESH: Mama. Have you been out of bed? Mama?

(LUKESH looks worried. He walks to the bedroom, to find REYES gun out on a table.)

MOTHER: You don't tell me things, Erwin.

LUKESH: I tell you things.

MOTHER: You sneak out of house in night. You leave me alone all by myself. And then you think that I don't know but I know. I know every time. What is it that you do, Erwin, that you don't tell me?

LUKESH: I don't... I don't do you that. I don't know what you mean.

MOTHER: Why is this gun in my house? I opened the drawer. I don't even know how I even picked it up without it going off and killing me. I was so scared.

(She sobs. She wipes her tears away with a tissue.)

LUKESH: Mama ...

MOTHER: If you won't tell me, you will tell the FBI, that's it. Agents at the FBI have left three messages. (The message lights on the answerphone is blinking.) They want to talk to me? Can you imagine, Erwin, why would the FBI want to talk to me?

MOTHER: What are you doing? Aren't you even going to listen?

LUKESH: You're going to talk to them?

MOTHER: Well, of course I am, it's the FBI!

LUKESH: Mama.

(LUKESH starts sobbing.)

MOTHER: Don't turn on the waterworks, Mister, it's not going to wash. I'm the one who's been lied to.

(We takes out the cut-throat razor he had earlier. He wipes his eyes with his hand.)

MOTHER: Erwin. What are you doing?

(He moves towards her. She looks very scared.)

MOTHER: Erwin. What are you doing? Erwin. No...

(LUKESH stops over her bed and stabs her three times with the razor.)

[Fade to black]

 


SCENE 15

(DOGGETT's hospital room. REYES is wet shaving him, carefully. She puts it down, finished.)

DOGGETT: (On screen) MISSED A SPOT>

REYES: (Smiling) Did not. Anyway, that's what you get for hiring cheap help.

DOGGETT: (On screen) BEEN THINKING>

REYES: Thinking about what?

DOGGETT: (On screen) SOUNDS CRAZY, BUT THINK YOURE RIGHT. 2 DOGGETTS CANT BE IN 1 WORLD. U CAN FIX>

REYES: How?

DOGGETT: (On screen) PULL THE PLUG.

(He looks up at REYES.)

REYES: Bad joke.

DOGGETT: (On screen) I GO YOUR DOGGETT COMES BACK. CMON YOUR THEORY SOUND>

REYES: My theory is sound? You don't believe a word of it, John, not in a million years would you believe. It has nothing to do with my theory.

DOGGETT: (On screen) DO U BELIEVE?>

(She nods.)

DOGGETT: (On screen) PROVE IT>

REYES: I would do anything for you. Anything but that.

(DOGGETT lies there, looking up at her. Her cell phone rings.)

REYES: (on phone) Reyes.

SKINNER: (on phone) It's Skinner, are you okay?

REYES: (on phone) Yes, sir, I'm fine.

SKINNER: (on phone) I can't say the same for Marion Lukesh.

REYES: (on phone) What happened?

SKINNER: (on phone) She's dead. It's the exact M.O. Doggett described. It looks like a straight razor was used.

REYES: (to DOGGETT) Lukesh killed his mother. (on phone) Do you have any idea where he is?

SKINNER: (on phone) No. But if everything I've heard is true, he's not going to be easy to find.

REYES: (on phone) I think he'll find us.

 


SCENE 16
67 BENNETT AVE.
WASHINGTON, D.C.

(Night. Outside in the street. A dog is barking. Inside REYES is walking around her apartment slowly, checking to make sure things are as she left them. She draws her gun as she checks a room. Suddenly we hear SCULLY's voice over a radio.)

SCULLY: You all right, Agent Reyes?

REYES: Just a little jumpy, I guess.

SCULLY: It's understandable

FOLLMER: Try and take it easy, Monica. We got you covered, coming and going.

REYES: Anything happening out front?

SKINNER: No, you moved to a quiet neighbourhood. It's dead out there.

REYES: I think I'll check around once more.

(REYES is checking around her dimly lit apartment. She sees an empty bottle and a small box on the floor, which she stops to pick up. FOLLMER and SCULLY are watching her on a surveillance monitor. She passes a doorway and suddenly, she is grabbed around the neck from behind by LUKESH, who holds a razor to her throat. He pulls her back towards him so he is whispering into her ear. He notices her earpiece of pulls out her radio transmitter.)

LUKESH: You want to scream right now, don't you?

REYES: Lukesh. (He holds the razor at her throat.)

LUKESH: Parked in a van outside was the FBI. Try and scream out 'em. They can't hear you.

CUT TO:

(SCULLY is checking the monitors. There is no sign of REYES in the apartment.)

SCULLY: Where's she gone?

FOLLMER: Monica, do you copy?

SKINNER: Reyes, Agent Reyes, do you read me?

SCULLY: He's in there. He's got to be.

FOLLMER: That's not possible.

SCULLY: And what if it is? Want to stick around to find out?

CUT BACK TO:

(LUKESH starts to break down. He is still holding REYES against him.)

LUKESH: You ruined everything, you bitch. You made me! You made me do it.

REYES: Lukesh.

LUKESH: Shut up! Shut up! But you know what? This time, I get to bleed you slow.

(LUKESH looks down at REYES' neck. Suddenly an FBI MARKSMEN burst through the door, and within a second has shot LUKESH in the centre of the forehead. LUKESH falls to the ground, leaving REYES standing. FOLLMER, SCULLY and SKINNER race in to the apartment. FOLLMER goes to comfort her.)

FOLLMER: You all right? Monica, you all right? It's okay. It's okay. It's over.

(REYES looks shaken up. She knows what she has to do to end it.)

[Fade to black]

 


SCENE 17

(DOGGETT's hospital room. DOGGETT is sleeping as REYES enters. She closes the door quietly behind her and locks it. She walks over to his bed. DOGGETT looks up at her. She takes his hand in hers, and strokes it. She turns off the monitor behind him, and switches off the respirator. The machine becomes silent. Tears well up in her eyes. She lays DOGGETT's hand back down on the bed. REYES closes her eyes.)

 


SCENE 18

(REYES opens her eyes. She is back in her apartment.)

DOGGETT: Monica, forget about the plates, will you?

(She opens here eyes. She looks up at DOGGETT in shock. DOGGETT looks confused.)

DOGGETT: What's wrong?

(REYES smiles. She walks up to DOGGETT and puts her arms around him. She hugs him tight, her chin resting on his shoulder. She looks happy.)

DOGGETT: Monica, what's wrong?

REYES: I'm good. Good.

(REYES smiles, her tears of happiness streaming down her face.)

[Fade to black]

[THE END]

Kikavu ?

Au total, 44 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

Profilage 
26.11.2023 vers 13h

yoshi91 
24.12.2021 vers 11h

Kar026 
30.08.2021 vers 21h

nate6691 
24.05.2021 vers 09h

Nia110617 
07.04.2021 vers 12h

sanct08 
23.08.2020 vers 10h

Derniers commentaires

Avant de poster un commentaire, clique ici pour t'identifier.

Sois le premier à poster un commentaire sur cet épisode !

Contributeurs

Merci aux 4 rédacteurs qui ont contribué à la rédaction de cette fiche épisode

Angelgym34 
Hombidule 
poupette67 
sanct08 
Activité récente
Actualités
Un nouveau quizz arrive sur le quartier !

Un nouveau quizz arrive sur le quartier !
Les festivités liées aux 30 ans de la série et aux 20 ans du quartier continuent ! Je vous invite à...

Anniversaire - Annabeth Gish

Anniversaire - Annabeth Gish
En ce mercredi 13 mars 2024, le quartier souhaite un très bon anniversaire à Annabeth Gish !...

Mars 2024 sur le quartier

Mars 2024 sur le quartier
Nous sommes le 29 février et, avec un toute petite journée d'avance, je vous propose de dresser le...

Annabeth Gish dans la seconde saison de Pretty Little Liars : Original Sin

Annabeth Gish dans la seconde saison de Pretty Little Liars : Original Sin
Le Dr Anne Sullivan, incarnée par Annabeth Gish pendant 3 saisons dans la série-mère, fait son come...

David Duchovny dans la nouvelle série d'Amazon

David Duchovny dans la nouvelle série d'Amazon
David Duchovny vient d'être engagé pour jouer dans la future série de Prime Video intitulée...

Newsletter

Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?

Inscris-toi maintenant

Sondage
HypnoRooms

langedu74, 12.03.2024 à 21:00

Un nouveau film est à deviner dans notre jeu Ciné-Emojis du quartier HypnoClap !

mamynicky, 13.03.2024 à 10:37

Bonjour les loulous ! Les Bridgerton s'offrent un nouveau design grâce à Spyfafa. Aux couleurs de la saison 3 et du printemps.

sanct08, 14.03.2024 à 11:53

Holà ! Les sondages de Star Trek - Le Caméléon et The X-Files vous attendent ! :=) Pas besoin de connaître les séries

mnoandco, 15.03.2024 à 19:50

Thèmes en vote côté "Préférences". Merci pour vos

lolhawaii, 16.03.2024 à 21:34

Nouveau design pour le quartier 9-1-1 / Lone Star !! On attend avec Prof' vos avis dans les commentaires sous la news du quartier

Viens chatter !